However, a lesser-known aspect of Houston’s talent was revealed during a charity event at Carnegie Hall in New York, where she ventured into the realm of opera. In a remarkable collaboration, Houston shared the stage with other acclaimed artists such as Sting, Elton John, and the legendary tenor Luciano Pavarotti for a performance of “La donna è mobile” from Verdi’s “Rigoletto.”
As Pavarotti initiated the performance, he soon invited Sting to join, who humorously indicated his nervousness before delivering a commendable rendition of the aria. Yet, it was Houston who truly captivated the audience, unveiling her operatic potential with a flawless soprano delivery that left onlookers, including Sting, in awe.
Her mastery over the challenging G5 note, complete with a delicate vibrato and exceptional control, elicited a wave of applause, highlighting her versatility as a vocalist far beyond the pop genre.
Elton John added his voice to the mix, but it was the harmonious blending of Houston’s soprano with Sting and Pavarotti that underscored the evening’s highlight. As Pavarotti rounded off the aria, Sting’s final note—a powerful B flat—added a fitting conclusion to a performance that underscored the timeless appeal and versatility of Whitney Houston’s extraordinary talent.
For fans and new listeners alike, this performance stands as a testament to Houston’s musical depth, showcasing her ability to transcend genres and stand alongside other legends such as Pavarotti or Elton John. There will never be a second Whitney Houston, and this brilliant display of the late singer further showcases that how the whole misses her so much.
